MEGAN MOORE

In the 2022-23 season, Ms. Moore returns to the Metropolitan Opera to cover the role of Blanche de la Force in Poulenc’s Dialogues des Carmélites with conductor Bertrand de Billy in the John Dexter production; joins Opera Philadelphia covering both roles of Desdemona and Emilia in Rossini's Otello with a cast that includes Lawrence Brownlee under the baton of Corrado Rovaris; participates in Plácido Domingo's world-famous singing competition Operalia taking place in Riga, Latvia; debuts with the Seattle Symphony singing the roles of Little Prince and Princess Miaoyin in performances of Tan Dun’s Buddha Passion with the composer on the podium, with additional performances at Teatro Comunale (Modena, Italy) and Emirates Palace (Abu Dhabi, UAE); makes a house and role debut with San Diego Opera to sing La Zelatrice in Suor Angelica and La Ciesca in Gianni Schicchi; performs the title role in Gluck's Orfeo with Orchestra of the Triangle; creates the role of Sheila in a workshop of The Righteous, composed by Gregory Spears and libretto by Tracy K. Smith, for the Santa Fe Opera; and returns to the role of Dorabella in Così fan tutte for her company debut at Opera Theatre of Saint Louis. She will make recital appearances in Baltimore and New York City, in addition to a tour of several cities in Iowa. Ms. Moore teams up with pianist Francesco Barfoed to perform at St. Paul & St. Andrew United Methodist Church as part of the Carnegie Hall Citywide series. Concert engagements include appearances at Carnegie Hall's Zankel Hall for Bach's cantata Schau, lieber Gott, wie meine Feind,  and the Gaillard Center in December for the Charleston Symphony's annual Holiday Pops! concert.