During the 2026-27 season, mezzo-soprano Megan Moore makes her company and role debut with Cincinnati Opera as Cherubino in Le Nozze di Figaro, and returns to the title role in La Cenerentola with Berkshire Opera Festival. On the concert stage she performs Berlioz’ Les nuits d’été with Apollo Orchestra in Washington D.C., as well as multiple roles in Judas Maccabaeus with Cecilia Chorus of New York at Carnegie Hall. Chamber music appearances include with Orchestra of St. Luke’s for Visionary Sounds and New York Festival of Song for First Name Basis. This season brings two full-length album releases: Matthew Aucoin’s Music for New Bodies with Dacamera Editions, and After Rain: Danish songs by Rued Langgaard with pianist Francesco Barfoed, released by Lexicon Classics.

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Last season, mezzo-soprano Megan Moore made her company and role debut in dual roles of Dido and the Sorceress in Dido and Aeneas at Spoleto Festival USA. She reunited with the American Modern Opera Company to revive Matt Aucoin’s Music for New Bodies with staging by Peter Sellars at the Meany Center in Seattle, Washington. Ms. Moore returned to Opera Philadelphia to perform The Seasons, based on Vivaldi’s The Four Seasons, with choreography by Pam Tanowitz, direction by Zack Winokur, and Corrado Rovaris conducting. Megan debuted with the National Symphony as La Suora Infermiera in Suor Angelica, conducted by Gianandrea Noseda; the occasion also marked her debut at Carnegie Hall’s Stern Auditorium. Joining forces once again with pianist Francesco Barfoed, the duo gave a recital for Matinée Musicale in Cincinnati, Ohio. Megan also joined the New York Philharmonic to cover the mezzo-soprano solos in the world premiere of David Lang’s the wealth of nations, conducted by Gustavo Dudamel.