During the 2024-25 season, mezzo-soprano Megan Moore makes her Boston Baroque debut in the title role of Handel’s Ariodante with Music Director Martin Pearlman on the podium. She makes her South American debut at Municipal de Santiago in Rossini’s Stabat Mater led by Evelino Pidò. She also returns to the roster of the Metropolitan Opera to cover both Jess in Jeanine Tesori’s new opera Grounded directed by Michael Mayer and conducted by Yannick Nézet-Séguin, as well as Rosina in Bartlett Sher’s madcap production of Il Barbiere di Siviglia under the baton of Giacomo Sagripanti. She makes her debut with the Orchestra of St. Luke’s in New York City singing works of Freya Waley-Cohen, Matthew Aucoin, and Henry Purcell. Ms. Moore will sing the role of Beylke in Alex Weiser and Stephanie Fleischmann’s Tevye’s Daughters with the American Lyric Theater. In addition to recitals in New York and Copenhagen with pianist Francesco Barfoed, the pair will be presented in recital by the George & Nora London Foundation for Singers in collaboration with the Morgan Library and Museum with a program featuring a world-premiere by Jake Heggie.

Recent engagements include her Seattle Opera debut as Rosina in Il Barbiere di Siviglia; returning to San Diego Opera to reprise her portrayal of Donna Elvira in Don Giovanni; performing at Opera Theatre of Saint Louis in a role debut as Sesto in Handel’s Julius Caesar after previously singing the role of Dorabella in Così fan tutte for her company debut; touring with Les Musiciens du Louvre in France and Spain in performances of Die Fledermaus covering the role of Orlofsky and singing Ida; joining The Orchestra Now to perform Berlioz' Les nuits d'été at the Fisher Center at Bard; debuting with Seattle Symphony in Tan Dun’s Buddha Passion with the composer on the podium before traveling to perform the work together in Modena, Italy, and Abu Dhabi, United Arab Emirates; performing the title role in Gluck's Orfeo ed Euridice with Orchestra of the Triangle; recording Handel’s La Lucretia and Il delirio amoroso with The English Concert and Harry Bicket; and making her Metropolitan Opera debut in Brett Dean’s Hamlet under the baton of Nicholas Carter.

Additionally, Ms. Moore has been engaged by Santa Fe Opera, Opera Philadelphia, Carnegie Hall, American Symphony Orchestra, Berkshire Opera Festival, Charleston Symphony, Haymarket Opera Company, and more, collaborating with conductors Bertrand de Billy, Yves Abel, Daniela Candillari, Marc Minkowski, Jean-Marie Zeitouni, Corrado Rovaris, Ramón Tebar, Tan Dun, Johannes Debus Nicholas Carter, Valentina Peleggi, Gary Wedow, and more. A native of Cincinnati, Ohio, Ms. Moore received her training at Miami University, Eastman School of Music, Internationale Meistersinger Akademie, and The Juilliard School.