During the 2024-25 season, mezzo-soprano Megan Moore makes her Boston Baroque debut in the title role of Handel’s Ariodante with Music Director Martin Pearlman on the podium. She makes her South American debut at Municipal de Santiago in Rossini’s Stabat Mater led by Evelino Pidò. Megan joins Matthew Aucion and Peter Sellars for performances of Music for New Bodies with the American Opera Company at both David Geffan Hall and Tanglewood.  In addition to recitals in New York and Copenhagen with pianist Francesco Barfoed, the pair will be presented by the George & Nora London Foundation for Singers in collaboration with the Morgan Library and Museum with a program featuring a world-premiere song cycle by Jake Heggie. Megan also returns to the roster of the Metropolitan Opera to cover both Jess in Jeanine Tesori’s new opera Grounded directed by Michael Mayer and conducted by Yannick Nézet-Séguin, as well as Rosina in Bartlett Sher’s madcap production of Il Barbiere di Siviglia under the baton of Giacomo Sagripanti. She makes her debut with the Orchestra of St. Luke’s in New York City singing works of Freya Waley-Cohen, Matthew Aucoin, and Henry Purcell. Megan will sing the role of Beylke in Alex Weiser and Stephanie Fleischmann’s Tevye’s Daughters with the American Lyric Theater.

Recent engagements include her Seattle Opera debut as Rosina in Il Barbiere di Siviglia; returning to San Diego Opera to reprise her portrayal of Donna Elvira in Don Giovanni; performing at Opera Theatre of Saint Louis in a role debut as Sesto in Handel’s Julius Caesar after previously singing the role of Dorabella in Così fan tutte for her company debut; touring with Les Musiciens du Louvre in France and Spain in performances of Die Fledermaus covering the role of Orlofsky and singing Ida; joining The Orchestra Now to perform Berlioz' Les nuits d'été at the Fisher Center at Bard; debuting with Seattle Symphony in Tan Dun’s Buddha Passion with the composer on the podium before traveling to perform the work together in Modena, Italy, and Abu Dhabi, United Arab Emirates; performing the title role in Gluck's Orfeo ed Euridice with Orchestra of the Triangle; recording Handel’s La Lucretia and Il delirio amoroso with The English Concert and Harry Bicket; and making her Metropolitan Opera debut in Brett Dean’s Hamlet under the baton of Nicholas Carter.