During the 2025-26 season, mezzo-soprano Megan Moore makes her company and role debut in dual roles of Dido and the sorceress in Dido and Aeneas at Spoleto Festival USA. She reunites with the American Modern Opera Company to revive Matt Aucoin’s Music for New Bodies with staging by Peter Sellars at the Meany Center in Seattle, Washington, after performances at Lincoln Center and Tanglewood last season; she also recorded the work for upcoming release. Ms. Moore returns to Opera Philadelphia to perform The Seasons, based on Vivaldi’s The Four Seasons, with choreography by Pam Tanowitz, direction by Zack Winokur, and Corrado Rovaris conducting. Joining forces once again with pianist Francesco Barfoed, the duo will give a recital for Matineé Musicale in Cincinnati, Ohio, after premiering a song cycle by Jake Heggie in New York last season. The longstanding duo will also record an album of Danish songs by Rued Langgaard for upcoming release. 

Other recent engagements include Boston Baroque as the title role in Ariodante; Municipal de Santiago in Rossini’s Stabat Mater; Seattle Opera as Rosina in Il Barbiere di Siviglia; San Diego Opera as Donna Elvira in Don Giovanni; Opera Theatre of Saint Louis as Sesto in Handel’s Julius Caesar after previously singing the role of Dorabella in Così fan tutte for her company debut; touring with Les Musiciens du Louvre in France and Spain in performances of Die Fledermaus; The Orchestra Now in Berlioz' Les nuits d'été at the Fisher Center at Bard; Seattle Symphony in Tan Dun’s Buddha Passion with the composer on the podium with additional performances in Modena, Italy, and Abu Dhabi, United Arab Emirates; Handel’s La Lucretia and Il delirio amoroso with The English Concert and Harry Bicket; and her Metropolitan Opera debut in Brett Dean’s Hamlet under the baton of Nicholas Carter.