"Megan Moore’s plausibly masculine Ariodante showed off a vivid, individual, and attractive timbre that carried words with point and quite exceptional technique, throwing off skips and coloratura garlands with panache; one hopes to hear her often in Handel."

"Unshakable poise and warm timbre… ‘Scherza infida’- the emotional apex of the role- was sublime, each syllable hanging heavy in the air like a branch covered with ice.."

"A gifted storyteller with a breadth of technical expertise, she is at home on the grand stage as well as in the small, colorful moments that create her connection with an audience."

"An artist of exceptional command and intelligence, able to communicate the essence of a text and its emotional undercurrents."

"Her voice was remarkable flexible and varied, with range that was superbly agile from top to bottom."

"remarkable physicality, crawling on the ground and racing across the stage without ever missing a beat"

 “triumphed as a hot-headed young man who was capable of spitting out unerring spot-on cascades of mellifluous phrases, and then prove equally successful at scaling back her striking, pulsating delivery to embody meltingly beautiful heartbreak and loss.” 

“It is the voice of Dido that carries the mournful tale, embodied exquisitely by mezzo-soprano Megan Moore, bearing the clarity of a queen, then mining the sorrow of a shattered woman.”

“Megan Moore’s earthy mezzo lent a human warmth and pathos”

“Moore was especially memorable in her plangent interpretation of “Vedro con mio diletto” from Giustino, giving voice to the Choreographer’s anguish at premature widowhood.”

"... so compelling and musically rewarding... keen dramatic instincts..."

"...richness and color... undeniablesex appeal..."

"...rich, buttery mezzo tone, a genuinely beautiful voice."