
PRESS

4/7/2025 - REVIEW
NEW YORK CLASSICAL REVIEW

6/14/2023 - FEATURE
OPERA NEWS - SOUND BITE
Ariodante, Title role, Boston Baroque
"Megan Moore’s plausibly masculine Ariodante showed off a vivid, individual, and attractive timbre that carried words with point and quite exceptional technique, throwing off skips and coloratura garlands with panache; one hopes to hear her often in Handel."
Opera with Opera News
Ariodante, Title role, Boston Baroque
"Unshakable poise and warm timbre… ‘Scherza infida’- the emotional apex of the role- was sublime, each syllable hanging heavy in the air like a branch covered with ice.."
Boston Globe
Recital for George & Nora London Foundation
"A gifted storyteller with a breadth of technical expertise, she is at home on the grand stage as well as in the small, colorful moments that create her connection with an audience."
Seen and Heard International
Recital for George & Nora London Foundation
"An artist of exceptional command and intelligence, able to communicate the essence of a text and its emotional undercurrents."
New York Classical Review
Rosina, Il barbiere di Siviglia, Seattle Opera
"Her voice was remarkable flexible and varied, with range that was superbly agile from top to bottom."
BROADWAYWORLD
Rosina, Il barbiere di Siviglia, Seattle Opera
"remarkable physicality, crawling on the ground and racing across the stage without ever missing a beat"
THE SEATTLE TIMES
Sesto, Julius Caesar, Opera Theatre of St. Louis
“triumphed as a hot-headed young man who was capable of spitting out unerring spot-on cascades of mellifluous phrases, and then prove equally successful at scaling back her striking, pulsating delivery to embody meltingly beautiful heartbreak and loss.”
OPERA TODAY
Young Concert Artists Debut Recital
"... so compelling and musically rewarding... keen dramatic instincts..."
SEEN AND HEARD INTERNATIONAL
Dorabella, Così fan tutte, The Juilliard School
"...richness and color... undeniablesex appeal..."
OPERAWIRE
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7/16/2021 - FEATURE
MICHAEL WADE SIMPSON - PASATIEMPO